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From the Pitchfork Review: Who Got the Camera? N.W.A's Embrace of "Reality," 1988-1992 - Feature

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With N.W.A’s biopic upon us, Eric Harvey explains how the gangsta rap originators’ work once acted as necessary counterprogramming to reality shows like “COPS” and how their mastery of media relates to our current moment of racialized police brutality.


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